Wednesday, December 06, 2006

Top 10 Canadian fiction titles

Here are the top 10 hardcover fiction books in Canada compiled by Maclean's magazine. Bracketed figures indicate position the previous week.

For the period ending: December 5, 2006

1. (1) Secrets from the Vinyl Cafe -- Stuart McLean

2. (4) The Custodian of Paradise -- Wayne Johnston

3. (5) Against the Day -- Thomas Pynchon

4. (6) The View from Castle Rock -- Alice Munro

5. (7) The Lay of the Land -- Richard Ford

6. (3) The Law of Dreams -- Peter Behrens

7. (9) What Came Before He Shot Her -- Elizabeth George

8. (8) The Friends of Meager Fortune -- David Adams Richards

9. (10) The Other Side of the Bridge -- Mary Lawson

10. (2) DeNiro's Game -- Rawi Hage

Sunday, October 29, 2006

Quote of the day

We have to trust in that perfect unadorned perception. The very mind that wants to control things is the mind that's caught up to begin with. When you're caught up, you have fewer possibilities. Your mind can manifest in more ways if you keep it from taking form. Technique is just a means for understanding that. Do you understand what it means to not let your mind take form? When you allow the mind to harden itself into a shape, a feeling, an intensity, technique, or strategies rather than allowing that clear, mirror like perception to arise, that is allowing the mind to take form.

The technique is something you do while you try not to let it interfere with the spaciousness of your mind. If you let your mind take form, it becomes localized. When you feel that happen, Return and come back to a formless state. The more that you can do that, the more you'll be your own person. The less you can do that, the more circumstances will dictate to you who you are at every moment.

(Takuan Soho, from unpublished transcripts, 1998)

Wednesday, October 25, 2006

Book review

Quill & Quire Online has a review of Wayne Johnston's new novel The Custodian of Paradise. Here is an excerpt of the review by Maureen Garvie:

"In The Colony of Unrequited Dreams, his acclaimed 1999 novel fashioned loosely around the life of Joey Smallwood, Wayne Johnston created a brilliant foil for the undersized premier in the towering character of Sheilagh Fielding. Apparently agreeing with many readers that she was unforgettable and too good to waste, Johnston gives Fielding her own story to tell this time out."

And the closing paragraph is a good summation of any of Johnston's works:

"By the book’s end, many mysteries have been laid to rest, only to be replaced with new ones. This raises the happy possibility that Johnston intends to return to the scene again."

Monday, October 23, 2006

Dutch reading campaign

AMSTERDAM (Reuters) - Dutch libraries are giving away 575,000 copies of a 1973 bestseller in the hope of turning the nation into one big book group and getting more people to read long-term.

As part of a national reading campaign from Friday until mid-November, library members can pick up a free copy of "Dubbelspel" ("Double Play") by Frank Martinus Arion, the library association said.

The libraries are giving away free copies of just one title -- enough for one in 30 citizens -- so that as many readers as possible can discuss the book, inspired by the success of similar "One Book" projects in U.S. and European cities, where books became the talk of the town, campaign organizers said.

"Dubbelspel," first published to rave reviews in 1973, tells a story of four men on the island of Curacao, a Dutch dependency in the southern part of the Caribbean where the author was born.

"It's a novel you can read on several layers: an exciting and moving tale about friendship and betrayal, a political allegory and also as an atmospheric picture of the Netherlands Antilles in the 1970s," organizers said on their Web site.

Thursday, August 24, 2006

On Lying in Bed by G. K. Chesterton

Lying in bed would be an altogether perfect and supreme experience if only one had a colored pencil long enough to draw on the ceiling. This, however, is not generally a part of the domestic apparatus on the premises. I think myself that the thing might be managed with several pails of Aspinall and a broom. Only if one worked in a really sweeping and masterly way, and laid on the color in great washes, it might drip down again on one's face in floods of rich and mingled color like some strange fairy rain; and that would have its disadvantages. I am afraid it would be necessary to stick to black and white in this form of artistic composition. To that purpose, indeed, the white ceiling would be of the greatest possible use; in fact, it is the only use I think of a white ceiling being put to.

But for the beautiful experiment of lying in bed I might never have discovered it. For years I have been looking for some blank spaces in a modern house to draw on. Paper is much too small for any really allegorical design; as Cyrano de Bergerac says, "Il me faut des geants." But when I tried to find these fine clear spaces in the modern rooms such as we all live in I was continually disappointed. I found an endless pattern and complication of small objects hung like a curtain of fine links between me and my desire. I examined the walls; I found them to my surprise to be already covered with wallpaper, and I found the wallpaper to be already covered with uninteresting images, all bearing a ridiculous resemblance to each other. I could not understand why one arbitrary symbol (a symbol apparently entirely devoid of any religious or philosophical significance) should thus be sprinkled all over my nice walls like a sort of smallpox. The Bible must be referring to wallpapers, I think, when it says, "Use not vain repetitions, as the Gentiles do." I found the Turkey carpet a mass of unmeaning colors, rather like the Turkish Empire, or like the sweetmeat called Turkish Delight. I do not exactly know what Turkish Delight really is; but I suppose it is Macedonian Massacres. Everywhere that I went forlornly, with my pencil or my paint brush, I found that others had unaccountably been before me, spoiling the walls, the curtains, and the furniture with their childish and barbaric designs.

Nowhere did I find a really clear space for sketching until this occasion when I prolonged beyond the proper limit the process of lying on my back in bed. Then the light of that white heaven broke upon my vision, that breadth of mere white which is indeed almost the definition of Paradise, since it means purity and also means freedom. But alas! Like all heavens, now that it is seen it is found to be unattainable; it looks more austere and more distant than the blue sky outside the window. For my proposal to paint on it with the bristly end of a broom has been discouraged - never mind by whom; by a person debarred from all political rights - and even my minor proposal to put the other end of the broom into the kitchen fire and turn it to charcoal has not been conceded. Yet I am certain that it was from persons in my position that all the original inspiration came for covering the ceilings of palaces and cathedrals with a riot of fallen angels or victorious gods. I am sure that it was only because Michelangelo was engaged in the ancient and honorable occupation of lying in bed that he ever realized how the roof of the Sistine Chapel might be made into an awful imitation of a divine drama that could only be acted in the heavens.

The tone now commonly taken toward the practice of lying in bed is hypocritical and unhealthy. Of all the marks of modernity that seem to mean a kind of decadence, there is none more menacing and dangerous that the exaltation of very small and secondary matters of conduct at the expense of very great and primary ones, at the expense of eternal ties and tragic human morality. If there is one thing worse that the modern weakening of major morals, it is the modern strengthening of minor morals. Thus it is considered more withering to accuse a man of bad taste than of bad ethics. Cleanliness is not next to godliness nowadays, for cleanliness is made essential and godliness is regarded as an offence. A playwright can attack the institution of marriage so long as he does not misrepresent the manners of society, and I have met Ibsenite pessimist who thought it wrong to take beer but right to take prussic acid. Especially this is so in matters of hygiene; notably such matters as lying in bed. Instead of being regarded, as it ought to be, as a matter of personal convenience and adjustment, it has come to be regarded by many as if it were a part of essential morals to get up early in the morning. It is upon the whole part of practical wisdom; but there is nothing good about it or bad about its opposite.

Misers get up early in the morning; and burglars, I am informed, get up the night before. It is the great peril of our society that all its mechanisms may grow more fixed while its spirit grows more fickle. A man's minor actions and arrangements ought to be free, flexible, creative; the things that should be unchangeable are his principles, his ideals. But with us the reverse is true; our views change constantly; but our lunch does not change. Now, I should like men to have strong and rooted conceptions, but as for their lunch, let them have it sometimes in the garden, sometimes in bed, sometimes on the roof, sometimes in the top of a tree. Let them argue from the same first principles, but let them do it in a bed, or a boat, or a balloon. This alarming growth of good habits really means a too great emphasis on those virtues which mere custom can ensure, it means too little emphasis on those virtues which custom can never quite ensure, sudden and splendid virtues of inspired pity or of inspired candor. If ever that abrupt appeal is made to us we may fail. A man can get use to getting up at five o'clock in the morning. A man cannot very well get used to being burnt for his opinions; the first experiment is commonly fatal. Let us pay a little more attention to these possibilities of the heroic and unexpected. I dare say that when I get out of this bed I shall do some deed of an almost terrible virtue.

For those who study the great art of lying in bed there is one emphatic caution to be added. Even for those who can do their work in bed (like journalists), still more for those whose work cannot be done in bed (as, for example, the professional harpooners of whales), it is obvious that the indulgence must be very occasional. But that is not the caution I mean. The caution is this: if you do lie in bed, be sure you do it without any reason or justification at all. I do not speak, of course, of the seriously sick. But if a healthy man lies in bed, let him do it without a rag of excuse; then he will get up a healthy man. If he does it for some secondary hygienic reason, if he has some scientific explanation, he may get up a hypochondriac.

--Gilbert Keith Chesterton, excerpt from Tremendous Trifles (1909)

Tuesday, July 11, 2006

Endgame

One of my favourite authors, Derrick Jensen, has two new books: Endgame, Volume 1: The Problem of Civilization, and Endgame, Volume 2: Resistance.

Here's an excerpt:

"Having long laid waste our own sanity, and having long forgotten what it feels like to be free, most of us too have no idea what it’s like to live in the real world. Seeing four salmon spawn causes me to burst into tears. I have never seen a river full of fish. I have never seen a sky darkened for days by a single flock of birds. (I have, however, seen skies perpetually darkened by smog.) As with freedom, so too the extraordinary beauty and fecundity of the world itself: It’s hard to love something you’ve never known. It’s hard to convince yourself to fight for something you may not believe has ever existed."--from Endgame, Volume I

I have read two of his older books, A Language Older Than Words and The Culture of Make Believe. Both are beautiful and tragic, shocking and revealing.

I encourage everyone to visit either his personal website, www.derrickjensen.org, or the endgame website, http://www.endgamethebook.org.

Monday, July 10, 2006

Quote of the day

"Perhaps the history of the errors of mankind, all things considered, is more valuable and interesting than that of their discoveries. Truth is uniform and narrow; it constantly exists, and does not seem to require so much an active energy, as a passive aptitude of the soul in order to encounter it. But error is endlessly diversified; it has no reality, but is the pure and simple creation of the mind that invents it. In this field the soul has room enough to expand herself, to display all her boundless faculties, and all her beautiful and interesting extravagancies and absurdities." (Benjamin Franklin, from his report to the King of France on Animal Magnetism, 1784)

Tuesday, May 23, 2006

Quote of the day

"From now on, ending a sentence with a preposition is something up with which I will not put." (Sir Winston Churchill)

Monday, May 08, 2006

Suzuki reveals outsider status in book

“The time I arrived for Grade 10 at (London) Central, social circles were pretty well established and I was a total stranger, a hick from a farm, an outsider.”

Award-winning scientist, environmentalist, author and broadcaster David Suzuki — recently voted the fifth greatest Canadian in a CBC debate — has always felt he doesn’t belong.

So much so, in fact, that the former Londoner wanted to title his new book The Outsider.

Instead it’s simply called, David Suzuki: The Autobiography and he’ll be reading from it tomorrow night at the Grand Theatre, where he’ll also get a Green Umbrella award from the Urban League for community citizenship and involvement.

By KATHY RUMLESKI - London Free Press

Tuesday, May 02, 2006

At last, a big screen adaptation of "Atlas Shrugged"

Rand adaptation hitting big screen
By

After a few failed attempts to bring to life Ayn Rand's sci-fi novel "Atlas Shrugged," a deal has finally been inked with the producers of "Ray" to adapt the book for the big screen, Variety reports.

Howard and Karen Baldwin acquired the "Atlas" film rights from businessman John Agilaloro, who will also produce the film.

The 1957 novel revolves around the economic collapse of the U.S. in the future.

Angelina Jolie and Brad Pitt, both fans of the book, are reported to be interested in playing the lead roles of Dagny Taggart and John Galt.

For several years, attempts have been made to bring it to the big screen with Clint Eastwood, Robert Redford and Faye Dunaway all originally attached to it.

Most recently, a 1999 deal with TNT to adapt "Atlas" into a miniseries failed to materialize.
[To the tune of Pearl Jam, "World Wide Suicide", from the album "Pearl Jam".]

Top ten hardcover non-fiction books in Canada

Here are the top 10 hardcover non-fiction books compiled by Maclean's magazine, via Canoe. Bracketed figures indicate position the previous week.

For the period ending: April 16, 2006

1. (1) The Weather Makers -- Tim Flannery

2. (5) Marley & Me -- John Grogan

3. (7) Freakonomics -- Steven D. Levitt and Stephen J. Dubner

4. (4) The Autobiography -- David Suzuki

5. (3) Six Words You Never Knew Had Something to do With Pigs -- Katherine Barber

6. (6) The Jesus Papers -- Michael Baigent

7. (9) Sorry, I Don't Speak French -- Graham Fraser

8. (8) The Force of Reason -- Oriana Fallaci

9. (2) The Great Transformation -- Karen Armstrong

10. (10) The Bedside Book of Birds -- Graeme Gibson

Friday, March 17, 2006

Book review: The Brief History of the Dead

From The Associated Press, via Canoe:

(AP) - At its best, the printed word provokes thought. It makes a human being stop and contemplate the fabric of existence through the wisdom of carefully chosen clauses and sentences and ideas. But the sad fact is that, in an age where the image trumps all, such text-paper epiphanies are increasingly rare.

When they do appear, they often are clothed in such ethereal subtlety that the depth of their wisdom is not immediately evident. You must dig, burrow, push forward to find the secrets that matter.

This is not the case with The Brief History of the Dead, Kevin Brockmeier's new novel.

Click here is peruse the full article.

Tuesday, February 21, 2006

Why I am a Materialist by J. B. S. Haldane

Source: Published: Rationalist Annual, 1940;
Transcribed: for marxists.org in May, 2002.

WHEN I SAY that I am a materialist I mean that I believe in the following statements:

1. Events occur which are not perceived by any mind.

2. There were unperceived events before there were any minds.

And I also believe, though this is not a necessary logical deduction from the former two, that:

3. When a man has died he is dead.

Further, I think that it is desirable that other people should believe these statements. I do not mean that I believe that the universe is a machine, or that I am a machine; nor yet that consciousness does not exist, or has a lesser reality (whatever that means) than matter. When I say 'I believe' I do not mean the word in the sense in which a fervent Christian uses it concerning the Virgin Mary, Pontius Pilate, and others who figure in the creeds. I mean it in the ordinary sense, in which, for example, I believe that dinner will be waiting when I go home, though, of course, the cook may go on strike or the chimney may catch fire. That is to say, I act, and propose to act, on the basis that materialism is true. But I am prepared to consider evidence to the contrary. And I certainly don't get shocked or angry if someone criticizes or doubts the truth of materialism.

Now the word 'materialism' is used, particularly in controversy, to imply a belief that a good dinner is better than a good deed. In fact, a materialist is supposed to be a man who has, or does his best to have, large meals, a large mistress, a large bank balance, a large motor-car, and so on. It is not obvious why this should be so. Other peoples' meals are as material as mine, and a bank balance is not something tangible, like a cellar full of gold and jewels.

In practice I have found that professed materialists are generally less selfish than professed idealists. For idealism is a remarkably useful device to enable us to bear other peoples' ills, and particularly their poverty. It is easy to persuade ourselves that the poor have various spiritual blessings. But it is not so easy, when one's own affairs are concerned, to avoid the attitude of the idealist of whom it was written:

There was a faith-healer of Deal
Who said: 'Although pain isn't real,
When I sit on a pin and it punctures my skin
I dislike what I fancy I feel.'

I do not of course deny that some idealists are excellent people, and some materialists coarse and selfish. But on the whole I think the contrary is true, for reasons which will appear later.

Fifteen years ago I was a materialist in practice, but not in theory. I treated myself as a material system. We all do this to some extent. When we want to go somewhere we get into a train or bus, confident that on the one hand we shall not be able to propel ourselves so rapidly through space by the mere exercise of our wills, nor on the other that the vehicle will find any more difficulty in moving us than if we were a sack of potatoes. However, though we all have considerable faith in the applicability to ourselves of the laws of physics, our faith does not apply to chemistry. We should be willing to trust our weight to a rope which has been tested to stand double our weight, but we should mostly hesitate to drink half the fatal dose of a poison. Rightly too in" some cases, for poisons in sub-lethal doses may do a good deal of harm. But not by any means always. Some poisons, such as carbon monoxide, are completely harmless in half the lethal quantity.

I applied the laws of chemistry to myself. For example, I said: 'If a dog is given hydrochloric acid to drink (diluted, of course, so as not to injure its stomach), it excretes part of the acid combined with ammonia as ammonium chloride. Now men work in a similar way to dogs, and both are systems of partially reversible chemical reactions. So if I eat ammonium chloride I shall become more acid.' This did in fact happen. I was quite correct in my reasoning, or at any rate it led to a correct result.

However, although I was a materialist in the laboratory, I was a rather vague sort of idealist outside, for the following reason. I had learned that matter had certain properties. It consisted of atoms which united in particular patterns. They moved in definite paths under given forces, and so on. My belief in these theories was not a matter of mere docility either. I had tested them and risked my life on their substantial accuracy. Clearly, if matter had the properties attributed to it by physicists and chemists, something more was needed to account for living organisms. And it was far harder to account for mind. As a believer in evolution I had to reject such theories as T. H. Huxley's epi-phenomenalism, according to which mind is a secondary consequence of a small class of material events (namely, those which go on inside our heads), but does not influence them. Apart from my very strong belief that I can act, the evolution of something as complicated as my mind, yet absolutely functionless, seemed most unlikely. Not that functionless organs are never evolved. On the contrary, it is probable that most organs are evolved in a rudimentary form before they develop a function. And I have not enough faith in the theories of Paley and his like to believe that every organ--for example, a cock's comb, a pigeon's cere', or a cassowary's wattle--has a function. However, I cannot believe that a system so complicated, and within its limitations so efficient, as the human mind could have evolved if it were functionless.

Nor did I see how, on a materialist basis, knowledge or thought was possible. The light which reaches my eyes causes nervous impulses in about half-a-million fibres running to my brain, and there gives rise to sensation. But how can the sensation be anything like a reality composed of atoms! And, even if it is so, what guarantee have I that my thoughts are logical! They depend on physical and chemical processes going on in my brain, and doubtless obey physical and chemical laws, if materialism is true. So I was compelled, rather reluctantly, to fall back on some kind of idealistic explanation, according to which mind (or something like mind) was prior to matter, and what we call matter was really of the nature of mind, or at least of sensation. I was, however, too painfully conscious of the weakness in every idealistic philosophy to embrace any of them, and I was quite aware that in practice I often acted as a materialist.

The books which solved my difficulties were Frederick Engels's Feuerbach and Anti-Duhring, and later on V. I. Lenin's Materialism and Empirio-Criticism. But the actual progress of scientific research in the last fifteen years also helped me enormously. None of the books which I have mentioned is easy if one has been brought up in the academic tradition which goes back to Plato and Aristotle. This is partly because they apply scientific method not only to philosophy but to philosophers. They are not merely concerned with showing that their authors are right and their opponents wrong but with explaining why, under particular social conditions, such and such theories are likely to gain wide acceptance. Hence, unless one accepts their political and economic theory, one is not likely to agree with their views concerning nature and knowledge, though it is only with the latter that I am concerned in these pages.

Engels and Lenin were firm materialists--that is to say, they believed that matter existed before mind, and that our minds reflect nature, and reflect it truly up to a point. But they absolutely rejected the current scientific theories of their day as complete or even satisfactory accounts of nature. 'The sole property of matter', wrote Lenin, 'with whose recognition materialism is vitally connected, is the property of being objective reality, of existing outside of our cognition ... The recognition of immutable elements, the immutable substance of things, is not materialism, but metaphysical, anti-dialectical materialism...It is of course totally absurd that materialism should ... adhere to a mechanistic world picture of matter and not an electro-magnetic or some immeasurably more complicated one.' Writing of the physics of his own day, he said: 'Dialectical materialism insists on the temporary, relative, approximate character of all these milestones on the road of knowledge of nature.'

Nature is in a state of perpetual flux--in fact, it consists of processes, not things. Even an electron is inexhaustible--that is to say, we can never give a complete description of it. We professors are always trying to give such a complete description, so that we can deduce all natural happenings from a few general principles. These attempts are successful up to a point, but we always find that nature is richer than we had thought. And the newly discovered properties of things appear to us as contradictions. Thus at the present moment both light and matter are found to have two sets of properties --one set resembling those of particles, and another set resembling those of waves. According to Engels and Lenin, things really embody a union of opposites, whose struggle makes them unstable and results in their development into something else. When we find 'internal contradictions' in our conceptions about things our minds are mirroring nature.

But these internal contradictions do not mean that nature is irrational. They mean that it is unstable. Our brains are finite. Nature is probably infinite, certainly too large for us to take in. So our account of any material phenomenon is a simplification. We naturally think of things as neatly rounded off, and therefore tend to exaggerate their stability. However, the more we study nature, the more we find that what is apparently stable turns out to be the battlefield of opposing tendencies. The continents are the field of a struggle between erosion, which tends to flatten them, and folding and vulcanizing, which build mountains. For this reason they have a history. Animals and plants are never completely adapted to their environment, as Paley thought, and as they presumably would have been had they been made by an all-wise and all-powerful creator. On the contrary, they evolve just because they are imperfect. The same principle holds for human societies.

One of the materialist's greatest difficulties used to be perception. If the world consists of self-contained objects isolated from one another in space, how can any sort of image of it be formed in our brains! There is no hollow space in our heads where a puppet representation of the external world could be set up. Sound is the only feature of the external world about whose representation in our brain we know much. If we place an electrode on the auditory part of a cat's cerebral cortex and another somewhere else on its body, then in favourable circumstances if we amplify the current between them and pass it through a loudspeaker we actually hear sounds which the cat is hearing, or would hear if it were fully conscious. The same experiment is quite possible with a conscious human brain, though I don't think it has yet been done.

This means that the ear and the auditory nerve serve to set up electrical disturbances in air which we perceive as sound. In this case, then, there is an actual imaging of the external reality. But how can anything of this kind take place with a solid object seen or felt! The physical discoveries of the last decade have shown that ordinary material objects, from electrons upwards, can be regarded as periodic disturbances. Certainly the rhythm is very much faster than that of sound, and could not possibly be copied in the brain. But some kind of rhythmical changes in the brain, though very much slower than those which they mirror, would be copies of at least one aspect of matter.

The physicists tell us that the frequency of the vibrations associated with a particle are proportional to its mass, and the physiologists, in studying the impulses in a nerve fibre from an end organ responsible for our touch or pressure sense, find that the frequency of the impulses increases with the stimulus, though not in exact proportion. We do not yet know in any detail what happens in the brain when we feel pressure, but it is likely that a similar law holds good.

We are only on the very fringe of the necessary investigations, but it is becoming daily more plausible that our minds are physical realities acted on by the rest of the world and reacting on it. Our minds are processes which occur in our brains. Until recently it was quite impossible to see how the processes going on in thousands of millions of cells could possibly form a unity such as we find in our consciousness. We are now, however, discovering both in atoms and molecules properties of a system as a whole which cannot be located at any particular place in it. There is nothing in any way mystical about these properties. They can be very precisely measured and calculated. They are expressions of the fact that the various constituents of nature are much less isolated than was at one time thought.

The difficulties about truth are complicated by the fact that we use the word for at least three very different relations. We may mean that a perception or idea in a mind is true if it corresponds to an external reality. If the relation between the two is one of likeness it can never be complete, but it may be true enough for a particular purpose. We may mean that a physical copy or image is like its original. Or we may mean that a statement is true. This statement may be in words or other symbols, and logic is largely concerned with the truth of statements. Their truth or otherwise depends on the meaning of the symbols. This is a social matter. A statement is true only as long as someone understands it. After that it is meaningless. 'Iron is heavier than water' will be true only as long as someone understands English, even if he is only an antiquarian. After that it will be gibberish like 'Pung twet maboroohoo', which for all I know meant something to the men who built Stonehenge, but is neither true nor untrue today.

Of course the philosophers say that a symbolic statement stands for a mental reality called a judgment, which is independent of language. I think this is extremely doubtful. On the contrary, it seems much more likely that language began with words or phrases whose English equivalents would be 'Come here', 'Wolf!', 'Heave-he', 'Darling', and so on, which are not statements, and neither true nor false. And one can certainly think without making statements or judgments, as when one remembers the plan of a town and picks out the quickest route, or imagines what an acquaintance will do in given circumstances.

The great advantage of the theory that judgments are anything but sentences repeated in our heads is that it gives philosophers a chance to theorize about thought without investigating the physiology of the brain. This enables them to tell us a lot about truth, but very little about how we get to know it or how we act on it. If we take the view that a statement is true in so far as it calls up mental images which correspond to reality, and useful in so far as it incites actions appropriate to the real situation, we have got away from metaphysics, and are up against problems concerning the action of the brain, the history of language, and how we learn language as children, which cannot be solved by pure thought, but only by studying the real world.

For such reasons as these I find materialism intellectually satisfactory. I also think it is useful because it leads to actions of which I approve. Mankind is up against a very difficult situation. We have dealt with a great mass of problems in the past by scientific thinking--that is to say, materialistic thinking. We try to solve our political problems by appeal to eternal values. But if we start thinking materialistically about these 'eternal values' we find that they are social phenomena which have come into being in the last few thousand years, because men gave up hunting and took to husbandry, agriculture, and handicraft. So society became a great deal more complicated, and 'eternal values' are part of the apparatus by which it has been kept going. In particular they are very useful to those who are in comfortable situations at present, and would like the present state of things, with a few minor modifications, to be eternal.

Materialistic thinking in the past has been revolutionary in its effects. It has built up natural science and undermined religion. The same process is going on today. We have to realize that our current ideas about society are mostly very like our ancestors' ideas about the universe four hundred years ago--irrational traditions which stifle progress in the interests of a small minority. These ideas are being transformed by materialistic thinking about history as our ancestors' ideas were transformed by materialistic thinking about nature. The consequence will no doubt be revolutionary, as it was in the past. This would perhaps be deplorable if our society were working well. But it is working very badly. So we are probably going to have an uncomfortable time in the immediate future, whatever happens. And as I want a rational society to come out of our present troubles I am not only a materialist myself, but I do what I can to make other people materialists.

Monday, February 20, 2006

What is Life? by J. B. S. Haldane

I am not going to answer this question. In fact, I doubt if it will ever be possible to give a full answer, because we know what it feels like to be alive, just as we know what redness, or pain, or effort are. So we cannot describe them in terms of anything else. But it is not a foolish question to ask, because we often want to know whether a man is alive or not, and when we are dealing with the microscopic agents of disease , it is clear enough that bacteria are alive, but far from clear whether viruses, such as those which cause measles and smallpox, are so.

So we have to describe life in terms of something else, even if the description is quite incomplete. We might try some such expression as "the influence of spirit on matter." But this would be of little use for several reasons. For one thing, even if you are sure that man, and even dogs, have spirits, it needs a lot of faith to find a spirit in an oyster or a potato. For another thing, such a definition would certainly cover great works of art, or books which clearly show their author's mind, and go on influencing readers long after he is dead. Similarly, it is no good trying to define life in terms of a life force. George Bernard Shaw and C. E. M. Joad think there is a life force in living things. But if this has any meaning, which I doubt, you can only detect the life force in an animal or plant by its effects on matter. So we should have to define life in terms of matter. In ordinary life we recognise living things partly by their shape and texture. But these do not change for some hours after death. In the case of mammals and birds we are sure they are dead if they are cold.

This test would not work on a frog or a snail. We take it that they are dead if they will not move when touched. But in the case of a plant the only obvious test is whether it will grow, and this may take months to find out. All these tests agree in using some kind of motion or change as the criterion of life, for heat is only irregular motion of atoms. They also agree in being physical rather than chemical tests. There is no doubt, I think, that we can learn more about life from a chemical than from a physical approach. This does not mean that life has been fully explained in terms of chemistry. It does mean that it is a pattern of chemical rather than physical events.

What is common to all life is the chemical events. And these are extraordinarily similar in very different organisms. We may say that life is essentially a pattern of chemical happenings and that in addition there is a building of a characteristic shape in almost all living things, characteristic motion in most animals, and feeling and purpose in some of them. The chemical make-up of different living things is very different. A tree consists largely of wood, which is not very like the constituents of a man, though rather like a stuff called glycogen which is part of most, if not all, of our organs. But the chemical changes which go on in the leaves, bark, and roots of a tree, particularly the roots, are surprisingly like those which go on in human beings. The roots need oxygen just as a man does, and you can see whether a root is alive, just as you can see whether a dog is alive, by measuring the amount of oxygen which it consumes per minute. And the oxygen is used in the same kinds of chemical processes, which may roughly be described as controlled burning of foodstuffs at a low temperature. Under ordinary circumstances oxygen does not combine with sugar unless both are heated. It does so in almost all living things through the agency of what are called enzymes. Most of the oxygen that we use has to first unite with an enzyme consisting mainly of protein, but containing a little iron. Warburg discovered this in yeast in 1924. In 1926 I did some rather rough experiments which showed the same, or very nearly the same, enzyme in green plants, moths, and rats. Since then it has been found in a great variety of living things.

Just the same is true for other processes. A potato makes sugar into starch and your liver makes it into glycogen by substantially the same process. Most of the steps by which sugar is broken down in alcoholic fermentation and muscular contraction are the same. And so on. The end results of these processes are of course very different. A factory may switch over from making bren guns to making sewing machines or bicycles without very great changes. Similarly the chemical processes by which an insect makes its skin and a snail its slime are very similar, though the products differ greatly.

In fact all life is characterised by a fundamentally similar set of chemical processes arranged in very different patterns. Thus, animals use up foodstuffs, while most plants make them. But in both plants and animals the building up and the breaking down are both going on all the time. The balance is different.

Engels said that life was the mode of existence of proteins (the word which he used is often translated as "albuminous substances"). This is true in so far as all enzymes seem to be proteins. And it is true in so far as the fundamental similarity of all living things is a chemical one. But enzymes and other proteins can be purified and will carry on their characteristic activities in glass bottles. And no biochemist would say they were alive.

In the same way Shakespeare's plays consist of words, whereas words are a very small part of Eisenstein's films. It is important to know this, as it is important to know that life consists of chemical processes.

This pattern has special properties. It begets a similar pattern, as a flame does, but it regulates itself as a flame does not except to a slight extent. And, of course, it has many other peculiarities. So when we have said that life is a pattern of chemical processes, we have said something true and important.

But to suppose that one can describe life fully on these lines is to attempt to reduce it to mechanism, which I believe to be impossible. On the other hand, to say that life does not consist of chemical processes is to my mind as futile and untrue as to say that poetry does not consist of words.

by JBS Haldane
in What is Life?
London: Alcuin Press,
1949, p.58-62.

Monday, February 13, 2006

Book review

Recently, I have been reading Leonardo Da Vinci: Flights of the Mind by Charles Nicholl. It goes a long way in illuminating Leonardo the human being, as opposed to the fixed image of him as genius or Renaissance Man.

Here is an excerpt from The Washington Post review by Alexander Nagel:

"Mistresses pleasure pain love jealousy happiness envy fortune penitence." This stream of consciousness account of the roller coaster of desire, scribbled by a thirtysomething Leonardo da Vinci, is not just an inventory of the trials of love. In the thinking of Leonardo's time, desire is movement impelled by the urge to make up for a lack, and motion is, in Leonardo's words, "the cause of all life." For Leonardo, as for most thinkers of his time, the elements are restless, the sea roils, the wind gusts, rain falls, gravity pulls -- all because things are constantly seeking a place of rest and completeness and not finding it. In the Italian of his day, the same word, moti, described both motions and emotions. Psychology was an application of physics, and physics revealed the passionate life of nature.

Leonardo spent his whole life investigating these movements inside and around us. Since in his eyes everything was connected, there were no boundaries to his investigations. It is customary to treat Leonardo as a rare genius, and he was. But go and dip into his countless notebooks, many of which have been translated into English, and you will encounter a hearteningly flat-footed seeker, a man who doggedly asks "How?" again and again -- indeed, more frequently than he does the metaphysical "Why?" You will also recognize, with great sympathy and relief, the unmistakable symptoms of attention deficit disorder.

In his deeply researched, engaging and illuminating biography, Charles Nicholl is drawn again and again to Leonardo's preoccupation with flight -- his obsession, from his earliest infancy, with birds, as well as his designs for parachutes, hang-gliders, helicopters and planes. Nicholl will convince any reader that this fascination was a major, abiding concern of Leonardo's life, but he never tells us why this should be so. A very simple reason may be that levitation was the one thing that offered a reprieve from all that earthly movement. In the most fundamental sense, the aspiration to take flight deeply informed Leonardo's paintings, far beyond the depiction of birds and winged angels. Nicholl shows, for example, that the famous landscape drawing in Florence's Uffizi Gallery, proudly dated 1473 by a 21-year-old Leonardo, is not a sketch of any one view from a given spot, but a composite of various landscapes in the area around his hometown of Vinci -- a composite presented as if seen from the air. It is a bird's-eye view.

The full review can be read here.

I have read many biographies of Da Vinci, but none of them have been this informative about his day to day life.

Wednesday, January 25, 2006

King rings up the horrors of cellphone creeps

By Carol Memmott, USA Today:
Sick and tired of having to endure other people's dreary, long-winded, one-sided cellphone calls?

Stephen King has a text message for you, and he's sending it through "the devil's intercom."

Cell, the horror master's latest tale of a world gone wrong, is for anyone who has ever wished that the person standing next to him or her, droning into a cellphone, would spontaneously combust or, at the very least, get disconnected.

King, who says he doesn't own a cellphone, has dialed up his own fantasy about the best thing that can happen to these incessant, mindless yakkers.

On a seemingly typical afternoon, anyone who is talking on a cellphone becomes a victim of "The Pulse." This worldwide act of terrorism turns cellphone users into zombie-like, bloodthirsty "phone-crazies."

Crazies kill other crazies as well as "normies" (i.e.: people who don't use cellphones or at least weren't on their phones when The Pulse struck). Children kill their parents. Husbands kill their wives. There seems to be no rhyme or reason - or is there?

Told mostly from the perspective of a small "cell" of unaffected normies, Cell is a gratifying tribute to George Romero, the crown prince of zombie movies, to whom King, in part, dedicates the book. Near the beginning of Cell, a Boston police officer compares the phone crazies to Night of the Living Dead "except these people aren't dead."In another scene, a teenage girl says, "To me it looks like a special effect in some big summer movie."

And indeed King's descriptions of the gore-soaked, mutilated crazies is worthy of any R-rated horror film fest.

But Cell is more than a litany of spilled intestines, oozing wounds and eyes dangling from sockets. It's a soothing balm to the world's technophobes and a disturbing send-up of what the world can be reduced to in an "us against them" situation. You get the feeling that King sees the world as just one big community of alienated factions waiting for their personal "pulse."

It also may be that King is poking a finger into a personal sore spot when a normie starts ranting about Lucifer and "the great Tribulation." The proselytizing normie gets a punch in the nose and a warning: "The lions are out of their cages, and you very well may find that they'll eat the mouthy Christians first."

In a world gone mad, King lets some characters hold on to an indefatigable pursuit of survival, solutions and family ties. It's just that they seem to be in the minority as herds of normies begin to cross over to the dark side.

Whether you are a Luddite or a mannerless cretin who can't leave home without a headset and a phone charger, King wants you to know he has your number.

Whitbread Award Winner

From Yahoo News:
LONDON - Biographer Hilary Spurling was the surprise winner in Britain's lucrative Whitbread Book Awards Tuesday.

Spurling, 65, came out on top for her book, "Matisse the Master," the second volume of a biography she had written about the great painter.

The Whitbread's top prize goes to one of the winners of prizes already awarded in five categories — novel, first novel, poetry, biography and children's book. Each category winner receives $8,700, while Spurling receives the $43,000 Whitbread Book of the Year Award.

Born in Stockport, northwest England, Oxford graduate Spurling spent 15 years writing the two volume work. She had unprecedented and unrestricted access to voluminous family correspondence and other new material in private archives.

A book I really enjoyed was Gladstone by Roy Jenkins, which won the 1995 Whitbread Award for Biography. I have read it three times, and learned something new every time.

Tuesday, January 17, 2006

New King book a distraction?

From The Associated Press, via Canadian Online Explorer:

ATLANTA (AP) -- On the eve of what would have been Martin Luther King Jr.'s 77th birthday, his legacy is under attack and its greatest defender is unable to speak.

King's widow, Coretta Scott King, is recovering from a stroke that partially paralyzed her, and on Saturday made only her first public appearance since last year's King holiday observance, smiling from a wheelchair at the Salute to Greatness Dinner.

The couple's four children are divided over whether to sell the family-run center that promotes King's teachings.

And the spotlight is again hitting King's more human side in a new book that alleges extramarital affairs and a nasty split with a civil rights colleague, the Rev. Jesse Jackson - a story that threatened to overshadow King's humanitarian contributions on the 20th anniversary of the King National Holiday.

Despite all the distractions, those who stood by King's side as soldiers in the civil rights movement say the memory of the self-named "Drum Major for Justice" is untouchable.

To view the entire article, click here.

Quote of the day

"Veni, vidi, vici". (Julius Caesar)

"I came, I saw, I conquered".

Friday, January 13, 2006

Hemingway's bar razed to the ground

From Reuters, via Yahoo News:
A fire destroyed the Ernest Hemingway museum and The Compleat Angler bar on Friday on the Bahamian island of Bimini, one of the American novelist's 1930s haunts during the days he stalked big game fish.

The early morning blaze leveled the wooden inn in Alicetown and destroyed photographs and Hemingway memorabilia, police said.

Hemingway drank at The Compleat Angler between fishing trips in his vessel Pilar in search of marlin, wahoo and sailfish in the pristine waters around Bimini. His novel "The Old Man and The Sea" was said to be inspired by his fishing exploits in the Bahamas and Cuba, and he worked on "To Have and Have Not" in Bimini.


The Hemingway legend became a major draw and The Compleat Angler created a museum which included hundreds of photographs and artifacts of the author.
[To the tune of Audioslave, "Doesn't Remind Me", from the album "Out of Exile".]

Quote of the day

"Contradictions do not exist. Whenever you think you are facing a contradiction, check your premises. You will find that one of them is wrong." (Ayn Rand)

[To the tune of The Arcade Fire, "Rebellion (Lies)", from the album "Funeral".]

Wednesday, January 11, 2006

A million little pieces

From Yahoo News:
NEW YORK (Reuters) - Random House is offering refunds to readers who bought James Frey's drug and alcohol memoir "A Million Little Pieces" directly from the publisher, following accusations the author exaggerated his story.

Readers calling Random House's customer service line to complain on Wednesday were told that if the book was bought directly from the publisher it could be returned for a full refund. Those who bought the book at a bookstore were told to try and return it to the store where it was bought.
Frey’s memoir sold 1.77 million copies last year after being chosen by Oprah Winfrey’s book club in September, making it the best-selling nonfiction book of 2005. Oprah has spoken out about the memoir, dismissing accusations of falsehood leveled at the author.

Since the controversy, “A Million Little Pieces” has remained the No. 1 selling book on Amazon.com.

Top ten hardcover fiction in Canada

From Quill & Quire:
  1. The Da Vinci Code: Special Illustrated Edition by Dan Brown
  2. The Da Vinci Code by Dan Brown
  3. The Time in Between by David Bergen
  4. The Penelopiad by Margaret Atwood
  5. Knife of Dreams by Robert Jordan
  6. Dave Cooks the Turkey by Stuart McLean
  7. A Breath of Snow and Ashes by Diana Gabaldon
  8. A Perfect Night to Go to China by David Gilmour
  9. The Eagle by Jack Whyte
  10. A Feast for Crows by George R. R. Martin

For the week ending January 07, 2006